The domestic box office at $2 billion currently this year is dragging 21% behind the same January-April spread last year, and when Universal’s Fall Guy commences the hot moviegoing season this Friday with a hopeful $35M, expect summer to drag some more. That’s because the lack of product due to the actors’ strike has made
BoxOffice
Broadway‘s busy, busy spring of new shows came to an end today with this morning’s Tony nominations announcement, and while the impact, if any, of the nominations won’t be felt at the box office for a while, there were some indications last week about how things could pan out. The Great Gatsby, for example, starring
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
EXCLUSIVE: More theatrical product for 2024 as Amazon MGM Studios‘ Orion Pictures has dated the feature take of Colson Whitehead’s Pulitzer Prize-winning novel Nickel Boys for October 25. It’s a limited theatrical release on a date that also includes Sony’s Venom: The Last Dance and Cinedigm’s Terrifier 3. Directed and co-adapted by RaMell Ross, Nickel
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Refresh for latest…: Universal/DreamWorks Animation’s Kung Fu Panda 4 has topped the half-century mark globally, now with $503.5M worldwide. Of that, $318.5M is from the international box office. Passing $500M makes KFP4, directed by Mike Mitchell (and co-directed by Stephanie Ma Stine), only the fourth animated title to the benchmark since 2020, joining Illumination’s The
Uberto Pasolini, who wrote and directed the James Norton-starring Nowhere Special that opened this weekend, says, rightfully, the film’s power emanates from the tangible bond you feel between father and son. Norton – the BAFTA-nominated British actor (Bob Marley: One Love, Little Women, Happy Valley) – is John a 35-year old window washer and single father to
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Warner Bros, the studio who just might win it all this year, can celebrate $1.2 billion being grossed around the world between Legendary‘s Dune: Part Two, which just crossed $700M, and Godzilla x Kong: The New Empire surpassing $500M. The moment comes as the studio re-released Dune: Part Two this weekend in Imax, just in time
Amazon MGM Studios’ Challengers, starring Zendaya and directed by Luca Guadagnino, made $1.9M in previews, a figure $100K shy of what Universal’s Cocaine Bear did. The tennis sexy romcom is hoping to open to $15M for the weekend. Lionsgate and Kingdom Story’s Unsung Hero made $1.67M in previews. It’s important to note that for both
Sony has pushed their reboot of Karate Kid from Dec. 13 this year to May 30, 2025. This has created a bit of a backward domino effect but won’t rob the year of theatrical releases. Backfilling Karate Kid‘s spot is Sony/Marvel’s Kraven the Hunter which goes from Aug. 30, the Labor Day weekend frame, to
There’s a nice trio of specialty films to highlight this weekend from Joanna Arnow, Uberto Pasolini and Caitlin Cronenberg‘s feature directorial debut. Joanna Arnow’s micro-budget comedy The Feeling That The Time For Doing Something Has Past world-premiered in Cannes’ Directors’ Fortnight. It follows a 30-something New York woman as time passes in her long-term casual
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Paramount’s Ryan Reynolds starring, John Krasinski directed all audience movie, If, is heading for a $40M-plus opening on May 17, which for a non-holiday in May and for an original movie, is very good. Krasinski produced, directed and wrote If. The PG movie is hot with parents, kids, and the 17-34 crowd, especially female. If
Universal Pictures will release DreamWorks Animation‘s Gabby’s Dollhouse: The Movie on September 26, 2025, the studio said Thursday. Universal already had the release date on hold for an untitled DWA movie. Late September is a prime time to launch family friendly animated pics, going back to Open Season and Cloudy With a Chance of Meatballs,
A very busy Broadway held its own last week, with 36 productions pulling in a combined $34,650,614, a good 10% increase over last year at this time. About 92% of all available seats were occupied, with total attendance of 299,107 about 15% greater year-over-year. No fewer than five shows opening during the week ending April
Following the theatrical release of AMC Theatres Distribution concert pics Taylor Swift: The Eras Tour and Renaissance: A Film by Beyonce, the Nikkole Denson-Randolph led distribution team has hired Stephanie Terifay in the newly created position of VP, Distribution. Terifay will be responsible for engaging the music industry to develop future projects, tailoring distribution strategies
- « Previous Page
- 1
- 2
- 3
- 4
- 5
- …
- 93
- Next Page »