Blumhouse

Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
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There’s always been a demand for horror in the New Year, and Universal, Blumhouse and Atomic Monster are meeting that this weekend with Night Swim which made $1.45M in previews at 2,750 theaters from showtimes that began at 5PM. The PG-13 movie isn’t expected to be M3GAN, the early PG-13 horror doll hit from last
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EXCLUSIVE: Here’s an eyebrow raiser in the wake of a zany box office season turned upside down by the actors strike, and ruled by Taylor Swift: Universal/Blumhouse‘s feature take of videogame, Five Nights at Freddy’s, is shaping up for an opening around $40M. That would be the second-best opening at the fall box office YTD
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Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer will continue horror’s head-spinning roll at the autumn box office with a $30M-$36M domestic start at 3,600 locations. Currently, the R-rated reboot/sequel is trending demo-wise like The Nun 2, which saw a $32.6M opening, meaning it’s great with the 18-34 demographic, Hispanic and Latino audiences as well as older guys.
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With this weekend’s grosses, Sony/Screen Gems/Stage 6 Films/Blumhouse’s Insidious: The Red Door has become the biggest horror movie of the year globally at $182.5M, edging M3GAN’s worldwide cume of $180.8M. The current frame was worth $2.5M from 59 overseas markets for an international cume of $101.8M. The Insidious franchise has now earned over $735M worldwide. Already last frame, the Patrick
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When it comes to horror movies at the box office, Sony resurrected its track record this past weekend with the opening of Blumhouse/Stage 6 Films’ fifthquel, Insidious: The Red Door which had a $32.65M domestic opening, $64M Worldwide debut. On the domestic front, that’s the second best horror opening for Sony after 2004’s The Grudge
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In a turnabout, China is handing out release dates for Hollywood movies at a clip these days — and with a fair bit of notice. Yesterday, we learned that Paramount/eOne’s Dungeons & Dragons: Honor Among Thieves will go day-and-date on March 31, and today comes news that Universal/Blumhouse/Atomic Monster’s hit M3GAN has been granted a
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EXCLUSIVE: James Wan has been labeled by fans for being responsible for killer doll movies, specifically his Conjuring franchise spinoff, Annabelle. “It’s funny, I really hadn’t done that yet,” says the horror auteur. And that was his prime reason to create M3GAN with screenwriter Akela Cooper. “In my previous doll movies — they don’t kill
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John Cho and Katherine Waterston will headline Sony–Blumhouse-Depth of Field’s They Listen, directed by Chris Weitz. A theatrical release of Aug. 25, 2023 has been set; it’s the only wide release that weekend. You’ll remember the Cho thriller Searching debuted in late summer and was a microbudget hit grossing over $26M stateside, and north of
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