Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
Exhibition
Universal and Illumination‘s smash The Super Mario Bros Movie finishes No. 1 to make it a wrap on Deadline’s Most Valuable Blockbuster tournament for 2023. While the industry is still coming out of Covid and the aftermath of the strikes, there’s no question about the major motion picture studios’ embrace of the theatrical downstream model; steamers
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Amazon MGM Studios’ Challengers, starring Zendaya and directed by Luca Guadagnino, made $1.9M in previews, a figure $100K shy of what Universal’s Cocaine Bear did. The tennis sexy romcom is hoping to open to $15M for the weekend. Lionsgate and Kingdom Story’s Unsung Hero made $1.67M in previews. It’s important to note that for both
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Lionsgate is calling their all-in previews for Guy Ritchie’s The Ministry of Ungentlemanly Warfare at $1.45M, however that includes around $600K in advance shows from last weekend in addition to Thursday’s cash. Which means Universal’s Radio Silence vampire movie, Abigail, won Thursday previews with $1M. Meanwhile, Sony Crunchyroll’s anime movie Spy x Family Code: White
EXCLUSIVE: Amazon MGM Studios has begun the countdown for Project Hail Mary, its Ryan Gosling-starring, Phil Lord- and Christopher Miller-directed space adventure, which has been given a March 20, 2026 release date. No other wide entries are on that weekend. Producers are Amy Pascal, Gosling, Lord, Miller, Aditya Sood, Rachel O’Connor and Andy Weir. The
With spring break simmering to 8% K-12 on break, and 1% colleges off, it’s hodgepodge at the weekend box office until 20th Century Studios’ Kingdom of the Planet of the Apes arrives to a $50M+ opening during the second weekend of May. A24’s Civil War, which currently counts $27M through Monday after $1.9M yesterday, will
Yes, this just happened — to big cheers. Producer Graham King showed up to close Lionsgate CinemaCon session in a big way Wednesday showing off an emotional first trailer for the Michael Jackson biopic Michael, the movie that hits theaters on April 18, 2025. Director Antoine Fuqua is still shooting the movie, but a first-look
Australian filmmaker George Miller, whose origins story Furiosa will world premiere at the Cannes Film Festival next month before Warner Bros begins its global rollout May 22, says he’s still making Mad Max movies “because they’re very addictive.” Miller was speaking at CinemaCon on Monday in Las Vegas where he received the International Career Achievement in Filmmaking Award. During
Cinema owners, studios and indie distributors gathering in Las Vegas this week for exhibition’s biggest confab seek visibility into a theatrical landscape gut-punched by Hollywood strikes last year just as a post-Covid recovery was revving up. Production halted for months led to fewer releases on the schedule. But there’s reason for optimism, from Dune 2
Apes are hot these days coming off of Godzilla x Kong: The New Empire, and beast fever will spill over into the weekend of May 10-12 when 20th Century Studios‘ Kingdom of the Planet of the Apes is looking to open to $54 million-$61 million. That’s the latest forecast from tracking service Quorum, which reports
FRIDAY UPDATE: Dune: Part Two added 42 international box office markets on Thursday, taking the offshore cume on the Denis Villeneuve-directed sequel to $20.8M in a total 55. This includes two full-days of play and previews in those markets. The Warner Bros/Legendary Entertainment sci-fi spectacular is the No. 1 U.S. title in all markets and
Moviegoing is slowly going back into fashion today with Paramount’s Bob Marley: One Love biopic seeing an estimated $12M. For a movie playing on Valentine’s Day midweek, that’s a record besting the $11.6M made by the 2012 Channing Tatum and Rachel McAdams romance, The Vow. Sony/Marvel’s Madame Web trails with $5M-$5.5M today. Projecting out six-days
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