Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Taylor Swift: The Eras Tour
Taylor Swift: The Eras Tour broke records on Disney+ with 4.6 million views, making it the No. 1 music film ever on the platform per the studio. Swifties watched 16.2 million hours of the blockbuster 3.5-hour concert film this past weekend. These viewership numbers are based on 3 days of streaming; views released for other movie premieres
The 60th Cinema Audio Society Awards are underway Saturday night at the Beverly Hilton, with the group honoring the year’s best in feature film and TV sound mixing. Tom Papa is hosting the ceremony that will crown winners in seven competitive categories, while along the way honoring JJ Abrams with the society’s Filmmaker of the
Audiences didn’t have a lot of new choices, nor a mega late-December blockbuster to ring in the first weekend of the new year at the movies, but the studio titles on offer are still drawing crowds and seeing strong holds, particularly with ongoing holidays in many international box office markets. Milestones are also being set
After becoming the second highest grossing concert movie with $250M WW after Michael Jackson’s This Is It, Taylor Swift: The Eras Tour is making her way into the Middle Kingdom on Dec. 31. Alibaba Pictures took China rights to the concert movie from Trafalgar Releasing, who was handling offshore distribution for the concert pic’s mega
First thing’s first: Happy birthday, Taylor Swift! Closing out a year that has seen the now 34-year-old superstar score nothing but touchdowns, the shindig beau Travis Kelce has planned Wednesday night in New York City promises to be quite the celebration. And well it should be. With a record-breaking tour that brought in more than
With awards shows’ ratings dropping annually, many have pinned that on mainstream viewers tuning out because their favorite tentpoles are overlooked in the Best Picture categories. Popular Best Picture candidates and hosts have traditionally been tied to Oscars’ ratings. However, the Golden Globes has continually had respect for popcorn pics between their drama and musical/comedy
Taylor Swift: ‘The Eras Tour concert film has become the highest-grossing concert film of all time, earning an impressive $178 million domestically since its debut on Thursday, October 12. Among the list of the top-grossing concert films at the domestic box office are the recently rereleased Renaissance: A Film by Beyoncé, Talking Heads concert film
Imax and Pathé Live in partnership with Mercury Studios and Queen Films will release Queen Rock Montreal globally for four days in January digitally remastered for Imax. The film of a live concert in Montreal in November of 1981, directed by the late Saul Swimmer, will hit 450+ Imax locations globally for four days starting Jan. 18 in the UK,
With its seventh weekend numbers tallied, Taylor Swift: The Eras Tour has topped the $250M global benchmark. At $250.01M per AMC, the split is a little over $178.2M domestic with $71.8M coming from the international box office. The highest-grossing concert film ever domestically began worldwide rollout in mid-October, opening to $92.8M in North America for
Theater chain AMC will make a handsome profit from distributing Taylor Swift: The Eras Tour and from its box office grosses, which passed $232 million globally, said CEO Adam Aron. He declined to give any numbers until year end since both Swift — and Renaissance: A Film By Beyoncé, which launches Dec. 1 — fall
AMC Entertainment swung to a profit last quarter and saw revenue jump 45%, besting Wall Street forecasts. CEO Adam Aron found the numbers “quite satisfying.” But, he said, the short-term impacts of the writer’s and actor’s strikes will cause additional and needless challenges for AMC in 2024. Without taking sides as to who is to
Universal/Blumhouse’s Five Nights at Freddy’s was still plenty game this weekend, crossing $100M at the international box office and $200M worldwide. The sophomore frame overseas, where this is a pure theatrical play, dipped 54% to deliver $35.6M in 74 markets for a $103.5M offshore cume and $217.1M global. Fazbear and crew have surpassed the reported
Imax CEO Rich Gelfond predicts the long SAG-AFTRA strike will settle relatively soon. If, instead, it drags on, theater chains will face a rocky second half of 2024 but he sees the large-format exhibitor standing apart. “An exhibitor who programs a multiplex needs lots of movies,” he told Wall Streeters after Imax reported a record
No one knew how big this was going to be, or is going to be but Universal/Blumhouse’s feature take on beloved horror videogame, Five Nights at Freddy‘s is eyeing a $50M+ start possibly even more. At that level, it’s the second-best opening of this autumn’s B.O. behind Taylor Swift: The Eras Tour ($92.8M). Note the
There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in
The AMC-distributed Taylor Swift concert movie Taylor Swift: The Eras Tour, which paused weekday play from Monday-Thursday, is looking at a 60%-70% dive in its second weekend with $27M-$37M off its first weekend of $92.3M. Those industry projections are based on the front-loaded nature of female-skewing pics, per sources. Disney’s Hannah Montana and Miley Cyrus:
The AMC distributed Taylor Swift: The Eras Tour returned yesterday, Thursday, at around noon after a three day pause, pulling in $5.9M per industry estimates. This takes the running total of the Sam Wrench directed concert film to $98.7M at 3,855 theaters. Meanwhile, Apple Original Films big splash into wide theatrical releases with Martin Scorsese’s