Jane Schoenbrun’s I Saw Then TV Glow is looking at an estimated $195k+ on 21 screens, a great week-two expansion for the A24 film. The number is driven by a passionate fan base for the gender-bending supernatural thriller that’s been skewing very young, male and heavily LGBTQ+. Will continue a rollout in coming weeks. It’s
Specialty Box Office
Uberto Pasolini, who wrote and directed the James Norton-starring Nowhere Special that opened this weekend, says, rightfully, the film’s power emanates from the tangible bond you feel between father and son. Norton – the BAFTA-nominated British actor (Bob Marley: One Love, Little Women, Happy Valley) – is John a 35-year old window washer and single father to
This weekend was the first in some time without a specialty film in the top ten as wide releases ramp up from Civil War to Abigail and hang in theaters as per Kung Fu Panda 4 and Dune: Part Two — in weeks 7 and 8, respectively. One distributor calls late April a bit of
Nathan Zellner and David Zellner’s Sasquatch Sunset is stomping into circa 850 theaters this weekend after debuting in 9 with a solid opening for a film many could find weird. A tribe of Sasquatch, possibly the last of their kind, live and love in the woods of northern California, where it was shot. “We are
Concert film Suga – Agust D Tour ‘D-Day’ The Movie from Trafalgar Releasing took in $990k for Saturday alone, rounding out the North American box office top ten — testament to the power of concert films post-Covid and the enduring popularity of the K-Pop powerhouse. The band is currently on hiatus as members entered military
Sony Pictures Classics’ Wicked Little Letters grossed an estimated $1.5+ million in a big second week expansion for the R-rated British period comedy to 1,000 screens from five. The Thea Sharrock-directed film starring Olivia Colman (also a producer) and Jessie Buckley, no. 8 at the domestic weekend box office, has a $1.6+ million cume. Colman
IFC Films’ Late Night With The Devil topped the specialty market in its second week, as a Tollywood and a Bollywood film both made the top ten in a rare occurrence. Strong horror and Indian fare have helped buoy the box office since Covid. They continue to fill in the top ten, including this week,
IFC’s Late Night With The Devil has scared up the distributor’s largest opening weekend ever with an estimated $2.8+ million on 1.043 screens, coming in at no. 6 at the domestic box office. Prior to this weekend, Watcher was IFC’s top opening film at $827k, followed by Skinamarink with $819k and Blackberry at $801k. Late
Indies in moderate-wide release claimed the nos. 6, 8 and 9 spots at the domestic box office led by Love Lies Bleeding. Kristin Steward toplines the Berlin-premiering film by Rose Glass that expanded nationwide, grossing $2.5 million for the weekend on 1,362 screens (up from five theaters opening week). The steamy crime thriller from A24
Chinese comedy drama YOLO from Sony Pictures International had a yodeling good domestic debut, grossing $840k on 200 screens, making no. 9 on the weekend top 10. Directed and produced by and starring China’s top grossing female helmer, Jia Ling, it’s earned close to $482 million in China since opening Feb. 10 — and was
Julio Torres’s directorial debut Problemista from A24 posted the highest per-screen average of the weekend with a solid limited opening, grossing $140.9k on five screens in New York and LA with multiple sold out Q&As. The film starring Torres and Tilda Swinton saw a PSA of $28k and strong exits at all locations. A surreal
With no new bust-out limited releases, repertory continues to do its part for the specialty box office, the latest a 4k restoration of Nostalghia. Kino Lorber said the Andrei Tarkovsky’s 1983 film, which opened Wednesday, will gross an estimated $22.87k at Film Forum in NYC for the five days. It’s currently the top performer at the
The Avenue release Land of Bad, powered by Variance, grossed $1.8 million on 1,120 screens, landing in the top ten for the weekend as Variance noted strong word of mouth with Saturday grosses jumping 37% from Friday’ (not including Thursday sneaks). The estimate for the four days is $2.07 million. The William Eubank film starring Russell
The Taste Of Things, a meditation on turn-of-the-century French cooking — no chicken wings or nachos in sight — is stirring up a nice weekend for IFC Films with $126k and the best per-theater opening of the year so far on Super Bowl weekend. Wim Wenders’ Perfect Days from Neon is looking at $100k on
Two specialty films now in wide release hit the top ten this weekend with American Fiction at no. 8 and Poor Things, at no. 9 and claiming the mantle of the highest-grossing limited opening release of 2023. The Zone of Interest has had a terrific expansion for a foreign language film about a heavy subject
Toho International’s Godzilla Minus One – with an Oscar nom and a $2.6 million estimated three-day gross – was no. 10 at the U.S. box office in week 9, and hit a milestone Friday. The giant radioactive reptile, on 2,001 screens, became the third highest-grossing foreign-language film Stateside passing Hero (2002, $53.7m) and Parasite (2019,
Neon is opening Origin on 130 screens and plans to expand the Ava DuVernay film, which premiered in Venice and had a excellent qualifying run in December. Neon took global rights on Origin before its Venice premiere where it received an eight-minute standing ovation and DuVernay became the first Black American woman to have a selection there.
Toho International’s sleeper hit Godzilla Minus One grossed an estimated $853k this weekend for a cume of $50.9 million at 605 locations in week seven as arctic blasts buffet much of the nation. The film about the giant reptilian monster passed the $50 million market Saturday, becoming the highest grossing Japanese language live action or animated
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