Sony

Sony‘s R-rated Bad Boys: Ride or Die did $5.875 million in domestic box office Thursday in previews that began at 3 p.m., a total that is actually only 8% off from the previews of the franchise’s previous long-awaited threequel, 2020’s Bad Boys for Life, which did $6.36M. That’s a great start for Bad Boys: Ride
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Sony‘s Bad Boys: Ride or Die hopefully will hit $75M or more in its global debut this weekend, in a marketplace that has suffered from not only lackluster product but lack thereof. Broken out, that’s $40M+ in U.S. and Canada and $35M abroad in a 92% footprint. Presales for the R-rated fourthquel are behind that
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EARLY SUNDAY AM UPDATE: The 4-day fight between Warner Bros‘ Furiosa and Alcon/Sony‘s The Garfield Movie will drag out into Monday, both titles currently in a dead heat eyeing $31M over 4-days, $25M over 3 days. There are those showing the 48-year old comic strip feline eating the one-armed desert renegade’s lunch with $31M to
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There will be moviegoers at the Memorial Day weekend box office; the industry can be thankful for that. Just not as many as the previous two years when the entire 4-day frame exceeded $200M+. With Warner Bros‘ prequel Furiosa: A Mad Max Saga and Alcon/Sony‘s The Garfield Movie hitting marquees, the volume of event product
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Should Sony and Apollo get their hooks into Paramount Global their strategy would be to keep theatrical release output steady between both studios –not reduced– while cutting the more burdensome parts of the conglom, read auctioning off CBS, the linear channels like MTV and Paramount Plus streaming service. The news about theatrical output is per
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Sony‘s sequel to Jason Reitman’s Ghostbusters: Afterlife, Ghostbusters: Frozen Empire, took in $4.7M from previews last night that began at 2PM at 3,561 theaters. That amount of money is close to the $4.5M previews of Ghostbusters: Afterlife which opened heading into the pre-Thanksgiving 2021 frame when audiences were still shaking off Covid fears. Last night’s
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EXCLUSIVE: Sony, which kicked off CinemaCon last year, is skipping this year’s exhibitor-studio conference in Las Vegas, NV which runs April 8-11 at Caesar’s Palace. This happens from time to time when a major studio will sit out, and it’s not a diss to theater owners. The last time Sony didn’t attend CinemaCon was back
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Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning. Both the global and international box office saw improvement in 2023 versus 2022 with an estimated
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Sony has moved Wayfarer Studios’ feature take of Colleen Hoover’s bestselling novel, It Ends With Us from Feb. 9 to June 21. The movie stars Blake Lively, Justin Baldoni, Brandon Sklenar, Jenny Slate and Hasan Minhaj. It Ends With Us leaves behind Focus Features’ Lisa Frankenstein, Bleecker Street’s Out of Darkness, and Disney/Pixar’s Turning Red
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Sony Motion Picture Group Chairman has a few things to celebrate this weekend: Between the studio’s Spider-Man: Across the Spider-Verse and the studio’s R-rated comedy No Hard Feelings, the studio counts four Golden Globe noms. But then there’s Sony movie, Anyone But You, which reps a return for romantic comedies to the big screen; that
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EXCLUSIVE: Sony Pictures Entertainment in a competitive situation has won the theatrical distribution deals for two mega Apple Original Films movies –the George Clooney and Brad Pitt feature Wolfs and the Scarlett Johansson and Channing Tatum title Project Artemis. The news comes on the heels of Apple Original Films’ Ridley Scott-directed Napoleon rolling toward $200M
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EXCLUSIVE: Getting a leg-up here on our Thanksgiving stretch preview, Apple Studios production of Ridley Scott’s Napoleon will invade the global box office via Sony this Wednesday, in what’s shaping up to be a $46M WW global start. Split up for the Wednesday-Sunday stretch, that’s $22M 5-day domestic, and $24M overseas. Note, it’s not the
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