Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Wonka
Refresh for latest…: Paramount’s Bob Marley: One Love continued to sing sweet tunes in its sophomore session, adding $15M from 59 international box office markets for a drop of 37% from its above-expectations stellar opening. The overseas cume is now $49.4M for $120.6M worldwide. We’ll dig into more about the reggae icon below, but for
The international box office was generally muted this weekend, save for in China which ushered in the Year of the Dragon on Saturday, and with it the lucrative Chinese New Year moviegoing period. According to early figures from Maoyan, the first two days of Spring Festival 2024 amassed RMB 2.44B ($339M), just a touch below
Matthew Vaughn’s Argylle, the third Apple Original Films movie to go wide in cinemas, spied an estimated $35.3M global debut through Sunday, including $17.3M from 78 international box office markets. While that makes it the top title worldwide, overseas and domestically this frame, the ultra-expensive ensemble thriller was harshed on by critics and didn’t get
So, here we are in mid-January, and though we’re staring down the barrel of a tough year ahead, it’s not all wintry doom and gloom on an international box office (and combined global) level. While we’re not in blockbuster holdover territory, we should celebrate the wins when they come. To wit, there was a new
Refresh for latest…: Warner Bros/Village Roadshow/Heyday Films’ Wonka continues its sweet run, crossing the $500M mark globally this weekend. The worldwide cume through Sunday is $505.3M including $329.1M from the international box office and with Korea, which has a fondness for Hollywood musicals, still to release at the end of the month. The Timothée Chalamet-starrer
Audiences didn’t have a lot of new choices, nor a mega late-December blockbuster to ring in the first weekend of the new year at the movies, but the studio titles on offer are still drawing crowds and seeing strong holds, particularly with ongoing holidays in many international box office markets. Milestones are also being set
There’s always been a demand for horror in the New Year, and Universal, Blumhouse and Atomic Monster are meeting that this weekend with Night Swim which made $1.45M in previews at 2,750 theaters from showtimes that began at 5PM. The PG-13 movie isn’t expected to be M3GAN, the early PG-13 horror doll hit from last
MONDAY AM writethru: Yes, Virginia, there is a Santa Claus, and he’s delivering the motion picture industry a $9 billion-plus year at the domestic box office, a feat many thought was unimaginable with the lack of a mega-tentpole over the holiday, coupled by a Q4 impacted by the double strikes. The numbers were compiled from
Releasing three tentpole movies into December, Warner Bros is walking away with bragging rights to giving the holiday season an important boost – particularly given the absence of an Avatar or a Spider-Man as in recent years. In total, WB’s three titles on release have grossed $700 million since Wonka first began offshore rollout on
SATURDAY AM: Refresh for updates Yes, Virginia, there is a Santa Claus and he’s delivering the motion picture industry a $9 billion-plus year at the domestic box office; a feat many thought was unimaginable with the lack of a mega-tentpole over the holiday with a Q4 impacted by the double strikes. But it was a
Christmas week rang in an estimated $281.4M, +14% from the Dec. 23-29 period a year ago ($246.4M), indicating that moviegoing remains healthy post-pandemic for a family-heavy, yet diversified lineup of movies — this despite the lack of one big five-quad tentpole on marquees. Warner Bros./DC’s Aquaman and the Lost Kingdom won the week with $58.3M,
It’s funky times at the holiday box office. At a glance, without a major monolith title in the marketplace and another pic leading with a single-digit take, it looks like a scenario of the tide failing to lift all boats. On Wednesday, it was Warner Bros.’ Wonka that won the day with $8M at 4,213
Typically the momentum of Christmas moviegoing spills over into Dec. 26, but that wasn’t the case this year as Warner Bros’ Wonka led all titles with $8.9M — the second lowest take for a No. 1 movie after Christmas (since 2000) ahead of the studio’s own Wonder Woman 1984 which made $5.8M when a bulk
Warner Bros/DC’s Aquaman and the Lost Kingdom began offshore rollout on Wednesday, and with numbers through Friday included has grossed $40.9M in 73 international box office markets. This portends a full overseas opening in the $70M range. With domestic’s three- and four-day, the global start will top $100M. Overseas, the UK debuted on Thursday, with
Refresh for more ….Warner Bros’/DC’s Aquaman and the Lost Kingdom posted $4.5M last night at 3,400 locations while Illumination/Universal’s Migration did $1.5M in what is expected to be a slow weekend at the 4-day Christmas box office. That’s largely due to the fact that there isn’t a massive want-to-see movie in the marketplace, Aquaman 2
Refresh for latest…: After opening early in 37 international box office markets last weekend, Warner Bros/Village Roadshow/Heyday Films’ Wonka expanded its release this session to the rest of the world (save Korea which goes in late January). The results are sweet. In a total 77 overseas markets, the Paul King-directed, Timothée Chalamet-starrer added another $53.6M
When was the last time that Warner Bros had a hefty trifecta at the Christmas box office? No Oompa Loompa is set to jinx the David Zaslav-run Warner Bros Discovery over the holidays for by Christmas week, it’s conceivable that the studio will own the top three movies at the box office between DC’s Aquaman