Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
Minions: The Rise Of Gru
Refresh for latest…: There was a little more excitement at the international box office this weekend, with two local movies leading the charge and a handful of new milestones for Hollywood pics. Taking the latter part first, Minions: The Rise of Gru crossed $900M global, Bullet Train drove past $200M and Top Gun: Maverick soared
This was yet another soft weekend at the international box office with no major fresh titles and as summer fully closes out in Europe and beyond. On the positive side, the UK’s National Cinema Day helped buoy that market with ticket prices slashed to £3 at 643 participating theaters on Saturday. There were 1.6M admissions
Similar to recent weeks, we’re still in a holding pattern at the international box office, awaiting major new wide studio releases. There were a few milestones this session, however, and Japan has in general been a bright spot with local pic One Piece Film: Red and the continued thrum of Top Gun: Maverick while the
With no new wide Hollywood tentpole releases until October, we’re in a period of holdovers, and local titles excelling in their home markets (and beyond), while Top Gun: Maverick continues to soar and there’s a will it or won’t it question mark over Jurassic World Dominion‘s shot at getting to $1B global. Overall, it was
Universal/Illumination’s Minions: The Rise of Gru bowed in China today (Friday), grossing an estimated RMB 21.74M ($3.2M), including midnights. This was good for the biggest opening day of a Hollywood animated film during the pandemic. Overall, and not including China’s Friday, Rise of Gru has grossed $461.2M at the international box office for $807.7M worldwide.
EXCLUSIVE: With today’s business included, Universal Pictures is crossing the $3B mark at the global box office for 2022 so far, becoming the first studio to reach the milestone since 2019. The grosses broken out to date are $1.74B at the international box office and $1.281B domestically. This is the eighth time Uni has topped
Sony’s Bullet Train was the global and international box office leader for the studios during its sophomore frame with an added $17M from 61 overseas markets for an offshore cume of $60M and global riding the rails past $100M for $114.5M through Sunday. The international holdover markets dropped 40%; word of mouth is good and
China has set an August 19 release date for Universal/Illumination’s Minions: The Rise Of Gru. This will be the first major tentpole from Hollywood to hit the market since Universal’s own Jurassic World Dominion which has grossed $157.4M there through Sunday and during an extended nine-week run; it is the biggest studio import of 2022.
Refresh for latest…: Coming in just slightly ahead of pre-weekend projections, Sony’s Bullet Train pulled into 57 overseas markets for a $32.4M international box office launch. When including the domestic start, the global debut is $62.5M. The Brad Pitt-starrer rode to the biggest offshore opening for a non-IP studio film since Tenet, and is tracking similar to Murder
Warner Bros’ DC League Of Super-Pets started wagging its tail overseas this weekend, barking up an estimated $18.4M in 63 markets That’s in line with expectations and places it 37% ahead of family comp The Bad Guys in like-for-likes. The global debut was $41.4M. Outside the pooches, this was notably another holdover weekend for the
Families weren’t scared to return to the box office during the pandemic and have shelled out $300.9M to date on Illumination Entertainment and Universal’s Minions: The Rise of Gru, making it the first animated movie to cross the three century mark stateside during Covid, and since Frozen 2 opened back in November 2019. Rise of Gru, through 25
Refresh for latest…: Hollywood movies had another solid holdover session at the international box office this weekend, with slight drops essentially across the board — and some new or near milestones as audiences continue to flock to cinemas for varied fare (it helps that the mercury mercifully let up in certain areas). There were no
Refresh for latest…: There remains plenty of action at the international box office as we head into the dog days of summer and with fewer wide releases to come. This past week and weekend includes milestones aplenty for such films as Thor: Love And Thunder, Minions: The Rise Of Gru, Jurassic World Dominion, and the
Refresh for latest…: Disney/Marvel’s Thor: Love And Thunder has come in largely in line with pre-weeekend projections, landing a $159M start in 47 international box office markets, and $302M globally. Worldwide, this reps the 3rd highest weekend for any Hollywood movie during the pandemic and the 2nd best of 2022, behind Doctor Strange In The
Illumination Entertainment/Universal’s Minions: The Rise of Gru didn’t stop making money just because it wasn’t a holiday. The pic’s gross yesterday saw $18.9M, which is easily the best Tuesday ever for an Illumination Entertainment title at the domestic box office, besting the $17.5M made by the animation studio’s Sing on Dec. 27, 2016. Rise of Gru‘s Tuesday
Thursday night audiences made a date with Disney’s Thor: Love and Thunder which took in $29M from showtimes which began at 3PM, which is easily the second best preview figure in 2022 behind Doctor Strange in the Multiverse of Madness‘ $36M. And for those studios trying to puff up their preview numbers with Tuesday or Wednesday
With Illumination/Universal’s Minions: The Rise Of Gru continuing its dastardly ways at the global box office, the origins story has propelled the Despicable Me franchise across the $4B mark worldwide. The Chris Meledandri-produced series was already the biggest animated franchise of all time, and now has another milestone to boot. Across all five films, the