A platoon of titles hits the specialty circuit this weekend, getting in ahead of steamroller Avatar: Way of Water and the year-end deadline for Oscar eligibility. This is a soul-searching, what-lies-ahead moment for a market still much too inconsistent for comfort, but that can be pondered later. At the moment, indie distributors are quite busy
Indies
Sideshow/Janus Films EO held well in week two, grossing $23,217 for the five-day holiday frame ($11,609 per screen) and $16,900 for the three-day weekend ($8,450 per screen). The new cume is $50.7k in a crowded arthouse market, a strong showing for the film starring a melancholic gray donkey. It expands to LA next week opening at
Laura Poitras’ Venice Golden Lion-winner All The Beauty And The Bloodshed opens in three theaters today, testing a crowded specialty market at the IFC Center, Lincoln Center & BAM in NYC. It adds LA and San Francisco (AMC Sunset 5 & AMC Kabuki) Dec. 2. Presented by Neon, this is the story of internationally renowned photographer
A new crop of prestige titles plant a flag at the arthouse in limited release this weekend from Luca Guadagnino’s Bones and All to Jerzy Skolimowski’s EO, to Elegance Bratton’s The Inspection. Greenwich Entertainment opens doc Love, Charlie: The Rise And Fall Of Charlie Trotter IFC Films presents Bad Axe and Cohen Media Group is
“The donkey is cute, but this is not a Disney movie,” said Jonathan Sehring, the former IFC Films head whose young distribution outlet Sideshow, with Janus Films, presents Jerzy Skolimowski’s Cannes Jury Prize winning EO at two NYC theaters this weekend. “We launched Sideshow for great movies that would otherwise get overlooked to give them
The Fabelmans grossed an estimated $160k this weekend at four theaters in NY and LA. That’s a $40K per screen average, on par with recent strong (for post-Covid) specialty openings like The Banshees Of Inisherin (at $45k PSA) and Tár (also $40k), both on four screens too, reflecting a definite pickup in the specialty space. Spielberg’s written, directed
Universal Pictures is giving Steven Spielberg’s The Fabelmans a platform release starting with four locations in NYC (Lincoln Square, Union Square) and LA (The Grove, Century City) with a robust media campaign aimed at cinephiles, but also capitalizing on the broad appeal of a Spielberg production, testament to unusual pedigree of the semiautobiographical film. It premiered in
If anyone is having a great autumn, it’s Harry Styles. His Love on Tour jaunt, now in its second leg, boasts a reported running total of $233.5M and it’s still running. It’s the type of tentpole cash that any motion picture studio would envy. Breaking this down: The singer’s 15-night residency at Madison Square Garden
EXCLUSIVE: Sky is developing a drama series on beloved composer Mozart’s time in Vienna from Giri/Haji writer Joe Barton and produced by Patrick Melrose indie Two Cities Television. Deadline understands five-parter Amadeus has not yet been greenlit but is in advanced stages of development, with Two Cities’ Michael Jackson and Stephen Wright exec producing along
Searchlight Pictures’ The Banshees Of Inisherin opened to an estimated $181,000 and a raring per screen average of $45,250, beating Tár’s impressive $40,000. Both opened in four locations and now rank no. 2 and no. 3 for an indie per-theater gross this year after A24’s Everything Everywhere All At Once. That film’s in a class
The Banshees of Inisherin, which won writer-director Martin McDonagh Best Screenplay and Colin Farrell the Volpi Cup for Best Actor in Venice last month, hits theaters in New York and Los Angeles on Friday, expanding to 10 more markets/50 locations next weekend, and to 600-800 screens November 4. If standing ovations say anything, the comedy-drama had a
Sarigama Cinemas’ Ponniyin Selvan: Part One crashed the weekend box office at no. 6, looking at $4+ million on 500 screens for a per theater average of $8,260, the biggest of the top ten. The Tamil-language historical epic being billed as India’s Game of Thrones is based on a Tamil history book series that’s read
Imax is out this Sunday with Brandi Carlile: In The Canyon Haze – Live from Laurel Canyon on 31 screens nationwide, an encore of a live event that reps a milestone for the large format exhibitor. The concert was broadcast Thursday from LA’s storied Laurel Canyon neighborhood to 87 Imax theaters (there would have been
Gran Torino producer Double Nickel Entertainment is forging a limited TV series about the life of Vincent van Gogh’s sister-in-law Jo van Gogh-Bonger. The indie has picked up the scripted and doc rights to Jo van Gogh-Bonger: The Woman Who Made Vincent Famous and is co-operating with the Vincent van Gogh museum to tell van Gogh-Bonger’s
Brett Morgen’s Moonage Daydream swept up a cool $922,000 at the domestic box office this weekend, while an impressive array of top industry players took Saturday to mull the global future of arthouse film. The real test — of specialty’s core adult audience willingness to return to cinemas — starts this fall, according to execs
The sequel to a beloved British family film, a heavy metal re-release, an Apple title from TIFF and Abigail Disney’s takedown of the American Dream populate the specialty film weekend in a market that may have found sturdier footing ahead of awards season and amid a dearth of blockbuster fare. “I think there’s a lot
Roadside Attractions has taken domestic rights for To The End, the follow-up film from Rachel Lears (Knock Down The House), and set a Dec. 9 theatrical-only release date. The deal was announced by Co-Presidents Howard Cohen and Eric d’Arbeloff. The film, which premiered at Sundance, covers three years of both hope and crisis leading to
Brett Morgen’s kaleidoscopic ode to David Bowie landed at no 10 in North America this weekend, singing up $1.225 million on 170 screens – exclusively Imax (159 U.S. locations, 11 in Canada). The $7,207 PSA for the Neon distributed Moonage Daydream – expanding to about 600 screens next week — was the best of the
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