IFC Midnight

Following its Venice Film Festival bow and seven César Awards including for Best Film, Lost Illusions was the top weekend title at two core NYC arthouses — taking $10,850 of its estimated $13,579 three-day gross from Film Forum and Film at Lincoln Center. The period piece based on the Honoré de Balzac novel about greed
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Chloe Okuno’s feature debut Watcher recorded the biggest opening weekend grosses ever for IFC Films and its IFC Midnight/Shudder label on 764 U.S. screens — also one of the distributor’s widest ever releases. The genre thriller that world premiered at Sundance then SXSW reported an estimated weekend gross of $815,000 and a PSA of $1,067.
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The Innocents, set in a semi-deserted, nondescript high-rise apartment, follows four lonely kids who find each other as well as mind-bending powers one summer, to lethal effect. The horror pic launched at Cannes last year and arrived Stateside last weekend via IFC Midnight in a limited theatrical plus digital release after playing New Directors/New Films.
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