Everything Everywhere All At Once

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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Oscar-nomination afterglow for this year’s Best Picture contenders was largely felt more in the home than it was at the box office, with a majority of titles already available to be viewed on the couch except for 20th Century Studios/Disney’s 3D title Avatar: The Way of Water. Since noms were first announced on January 24
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Elvis, Everything Everywhere All at Once and Glass Onion: A Knives Out Mystery went home with the film prizes at the 25th anniversary Costume Designers Guild Awards, which were handed out tonight at the Fairmont Century Plaza in Los Angeles. Check out the winners list below. Catherine Martin took home the often-Oscar-predictive Period Film award for Elvis, Shirley Kurata won
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While studios took advantage of expanding their Oscar nominated Best Pictures this weekend — it’s truly a post-apocalyptic, err, post-pandemic marketplace when it comes to reaping any huge box office afterglow from this year’s crop. And the irony is that there’s only one streaming title among the top 10 Best Picture bunch, that being Netflix’s
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Updated: This year’s arthouse breakout, Everything Everywhere All at Once has hit the $70M mark finally at the domestic box office with its global ticket sales now at $103M. The film from Dan Kwan and Daniel Scheinert crossed $100M a while ago. The pic previously broke records as A24’s highest grossing ever, both on a worldwide
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Dan Kwan and Daniel Scheinert’s fantasy family martial arts movie, Everything Everywhere All at Once, has officially taken over Ari Aster’s Hereditary as the highest grossing movie worldwide ever from A24, $80.9M to $80.2M. And the movie’s theatrical run is far from over, even as it hits electronic sell-through stateside. While 76% of the Michelle Yeoh-Stephanie Hsu-Ke Huy
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SUNDAY AM UPDATE: Refresh for more analysis and chart Focus Features’ Downton Abbey: A New Era is coming in at $16M, and while some might snipe that it’s lower than the first one’s robust $31M start, particularly against a production cost that’s double from the first at $40M, keep in mind this is a sequel to period
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FRIDAY MIDDAY UPDATE: Focus Features sequel Downton Abbey: A New Era is heading toward an $18M opening after a projected $8M Friday that includes $1M in Thursday night previews. That will put the Simon Curtis directed title in second place for the weekend behind Disney’s Doctor Strange in the Multiverse of Madness which will hold on the No. 1
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The arthouse never died. If you want to keep it alive, just make more jaw-dropping, outrageous fare which can excite the 18-34 crowd. That’s the trick, and that’s what A24 did with the Dan Kwan and Daniel Scheinert directed martial arts family fantasy feature, Everything Everywhere All at Once, which by Sunday will become A24’s highest
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For a long time, it wasn’t uncommon for distribution bosses to throw shade on one another’s success, but in the case of A24’s Everything Everywhere All at Once, there’s nothing but glee emanating from Hollywood for the New York-based indie studio’s success with the martial arts fantasy movie from Dan Kwan and Daniel Scheinert. At a
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