Broadway held steady as it continued through the holiday season, with a total gross of $30,723,247 for the 26 productions up a small 4% from the previous week, and attendance of 227,099 up about the same percentage. Year over year, though, the news isn’t quite so cheery. The $30.7M weekly figure is about 17% lower
Broadway
Broadway box office and ticket prices fell back to earth last week following the previous week’s Thanksgiving holiday-inflated numbers, with the total gross for the 26 productions dropping 14% to a combined $29,568,897. The average ticket price for the week ending Dec. 3 was $134.70, down $16.19, or 11%, from the holiday week’s average. Total
Thanksgiving proved plentiful for Broadway last week, with box office – and ticket prices – up by nearly 30% over the previous week. With tourists packing New York City, theatergoers splurging on higher priced holiday seats and the annual Macy’s Thanksgiving Day Parade trumpeting Broadway’s bounty, the 26 shows on the boards grossed a combined
Broadway box office took a 7% slide in the week before the Thanksgiving holiday, with the 29 shows settling in at a total $27,060,113 in receipts. Attendance for the week ending Nov. 19 was 228,423, about 86% of capacity and a slip of 3% from the previous week. The attendance figure is 12% lower than
Broadway began its trek into the lucrative holiday season last week at a steady clip, with the 28 shows grossing a total of $29,163,440 for the week ending November 12. That’s up about 10% over the previous week, though down about the same percentage from last year at this time. Last year’s take at this
Broadway box office held fairly steady heading into trick or treat season, with receipts for the week ending Oct. 29 at $26,480,578 (about 6% down from the previous week) and attendance at 218,581 (a slip of just 3%). Staying strong was Merrily We Roll Along, enjoying another sell-out week, with the roster’s top average ticket
Broadway box office held steady last week with total grosses for 28 shows tallying up to $28,106,860, with 224,832 ticket buyers paying an average $125.01 per seat. A healthy chunk of those total numbers were contributed by such recent arrivals as Merrily We Roll Along (grossing, for its sold-out week ending Oct. 22, $1,820,753, another
Merrily We Roll Along, the Sondheim revival starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, cemented its place among Broadway’s top earners during its opening week, grossing $1,706,962, filling all seats at the Hudson and securing the highest average ticket price with $220.88. The figures for the week ending Oct. 15 saw only four productions
Broadway‘s starry Merrily We Roll Along revival had another strong run of previews last week, grossing a hefty $1,471,644 and setting another house record at the Hudson Theatre. The Stephen Sondheim-George Furth musical starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez topped the venue’s previous seven-performance record of $1,431,543, held by David Byrne’s American Utopia.
Merrily We Roll Along, the new Broadway revival of the Sondheim classic musical starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, broke the six-performance house record at the Hudson Theatre with a $1.3 million gross in its first week of previews. Filling every seat in the venue, the revival carried an eye-popping average ticket price
A trio of new shows joined Broadway last week to mostly decent box office figures as the fall season begins to take shape. Most impressive was Gutenberg! The Musical! starring Josh Gad and Andrew Rannells under the direction of Alex Timbers. For the first three previews of its run, the musical filled 96% of seats
With Funny Girl off the boards last week and the impact of the 2-for-1 ticket prices of the Broadway Week promotion, Broadway box office receipts for the week ending Sept. 10 took an 18% tumble from the previous week, settling in at $21,334,228. Gone from the roster was Funny Girl and its $2 million-plus contributions
A new Thursday matinee seems to be paying off for the Neil Diamond Broadway bio-musical A Beautiful Noise: Last week the show grossed more than $1 million, a nine-month high attributable at least in part to an unusual new performance schedule. Last month, producer Ken Davenport announced that beginning in September the musical would no
Jessica Lange, Jim Parsons and Celia Keenan-Bolger will star on Broadway this spring in a world premiere production of Paula Vogel’s new Mother Play, to be directed by Tina Landau. The Second Stage Theater production will begin a limited engagement at Second Stage’s Hayes Theater on Tuesday, April 2, with an official opening on Thursday,
Lea Michele treated the final-night audience of Broadway’s Funny Girl to an extra song Sunday, performing “My Man,” popularized by Fanny Brice in 1921 but not included in the musical’s original score. Michele performed the song – omitting, as did Barbra Streisand in the 1968 film version, the infamous “he beats me too” introductory verse
Lea Michele, the star of Funny Girl, ends her stay today in the Broadway revival. She noted the milestone with an Instagram post that touted thhe show’s recoupment of its $16.5 million capitalization. “For the past year, I’ve had the honor and privilege of playing the iconic Fanny Brice in Funny Girl on the August Wilson Stage,”
Good Night, Oscar, the Oscar Levant bio-play starring Sean Hayes, and El Mago Pop, the Broadway debut of Spanish illusionist Antonio Díaz, ended their limited Broadway engagements on upswings last week, with the former selling out for its best week take of $1,147,057 and the magician conjuring a big $2,717,000 to break the house record
Producers of the struggling A Beautiful Noise: The Neil Diamond Musical are hoping for better attendance by breaking with a long-held Broadway tradition: Beginning next month, the musical will play four weekly matinees rather than the usual three while cutting the number of evening performances to four from the traditional five. Beginning Sept. 6, the
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